Friday, November 27, 2009

Why Money Matters

Perhaps things went off track from the beginning when it came to monetizing online. It is changing but has been and still is a hard road for many. During the dot.com boom tons of start up companies were given millions of dollars in hopes the start-ups would become profitable for the investors. Many of these start-ups have inevitably gone under or the idea people simply lived off the investors while a few (such as Google, Amazon, Ebay) have found or are finding (Facebook) their way toward profitability.

This easy money model that was based on investments rather than revenue started the profitability model off on the wrong foot for online businesses. To this day, I regularly hear people say that 'it'll work itself out' in reference to making money online in the film business. Online commerce will not work itself out. People will work it out and people will make it a profitable venture - not the system itself but rather the people behind the system and those creating what happens within it.

If it doesn't seem right or you don't understand it then maybe there is a reason for it and maybe you should think twice about what you are hearing. It is easy for someone who got several million dollars for a start up to say 'don't worry about the money'. Why? Because they don't need to worry about the money. They already have it. But what does that have to do with you? Nothing! You still need to worry about the money. So, if they are saying to give your film away for free maybe they are talking about their own best interest (needing product for their site) not your best interest.

Another thing to consider is that a lot of the time people act out of desperation, not sensible business strategies. If someone doesn't need money but has an idea for a site they might be willing to give everything on the site away for free. If you have a product they want they might try to convince you that you should give away your product (your film!). The reasoning might be that they aren't making money on it either but 'the money will work itself out later' or perhaps 'the exposure the films gets is the most important thing'. Keep in mind, they may not need the money. They may have been given the money already. They may need the film to fill their site. They may not have any idea how they can bring profitability to the filmmaker or the site... but, they already have the money from the backers so they can survive just fine until the money aspect works itself out. But where does that leave the filmmaker?

How does that benefit the filmmaker? It doesn't. Instead, it begins to change the public mentality that 'spending money to rent or purchase films is okay' into a mentality that films should be given away for free. This is a very dangerous mentality to instill in an audience that has always been willing to pay to watch films.

Films should not be given away for free. There is no money in it. There is money in making films available at a cost. Don't be fooled by those who are being foolish with your film. If you are a filmmaker then you need to make money from it if you wish to live off it. This is not a complicated idea or equation. It is terribly simple - to make money there must be an avenue for income. People think it's complicated because they can't make sense of it but everyone is buying into it. The reality is that it doesn't make sense to give your films away for free. So stop doing it!

Ticket prices for online movies do not need to be as high as for cinemas because the same cost for marketing and distribution do not exist. Therefore, ticket prices can become attractive and realistic for the movie going audience. There needs to be balance. Ticket prices should not be so low that filmmakers cannot make a living off their work, or so high that it makes more sense for the audience to pirate the films for free.

Another idea to consider is paying cast and crew. Many low budget films defer payment. Online companies can create systems that guarantee payment to those that work on the projects. A lot of people have spent their valuable time working to beef up a resume or learn a skill know that the money rarely, if ever, comes via deferment. The inception of an idea is the time to secure people's rights. Online film exhibitors can help promote and protect the rights of all those involved in the filmmaking process, rather than just those of the filmmaker. It is best to ensure the rights of all from the beginning so that a working model is in place to protect the rights everyone involved.

In the last couple of years contracts for actors have been changing toward one where major actors are not paid upfront so much anymore but rather they have to wait until a film is profitable to see their money. It can be hard to claim money on the back end. Each creative team member of a film is a vital entity of the film's success and each deserves to sustain their livelihood from their contributions to the films they work on. Online exhibitors can help to ensure that the profits are distributed as agreed upon by the filmmakers, cast and crew.

When we talk about online exhibition or distribution let's look at the whole picture. Let's think about everyone's needs. Let's think inclusively about all those we included in the filmmaking process and know that the more profitable it is for everyone as a whole the more the industry will thrive and the better films the audience will have at their disposal. Think through the eyes of abundance rather than limitation, fear and greed.

Money matters because people and creativity matters, because money is needed to pay bills and sustain livelihoods, because people deserve to be paid their worth, because we want good films as audience members and because the best way to watch great movies is to make sure those making them can afford to continue to make them and can afford to survive and thrive off their craft, skills and creativity.

Support the artists and value their work. It is a model that will allow the independent film industry to flourish!

Sunday, November 15, 2009

FFJ and Indie Music

Filmmaker: Does FilmFestJunkie.com accept music or is it just a platform for film?

FFJ: Yes! FFJ is happy to give musicians the same possibilities for exposure that we offer filmmakers.

FFJ values all artists equally. (Maybe we should start a section for painters!)

All contributors must own (or legally represent) all rights to their work to be able to participate.

Many independent films use original music. FFJ is fully capable of working with both entities and look forward to the opportunity.

FilmFestJunkie wants all artists - no matter their chosen form of expression - strong, healthy and financially secure. Respect each other and prosper!

Friday, November 13, 2009

Pics, Articles, and Tidbits for FilmFestJunkie




The idea of FilmFestJunkie is to build a bridge between independent film and its global audience.

Independent filmmakers are a unique bunch. Many are true individualists willing to take risks and follow their vision no matter current trends or nay-sayers. This is something to be valued and treasured in the indie filmmaker and FFJ has every intention of doing just that!

I know some of you are having a hard time figuring out what we're doing and trying to conceptualize it while others just want us to give them the formula. If you're having a hard time trying to figure it out, it's probably because something like this doesn't exist yet. We are creating it as we go along. FilmFestJunkie comes from a need and a desire to fill an unnecessary void.

We want our audience to get to know both indie film
and the filmmakers behind the projects. Independent filmmakers are cool and absolutely fascinating. FFJ wants to share this incredible group of people - almost a subculture of people - with their global audience. Part of the FFJ experience will be to bring the behind the scenes events, stories and pictures to life.

In that vein, we are looking for articles, photos, clips, etc about filmmakers and their work.
We have rules. We are not looking for tabloid trash. We respect filmmakers for the artists they are and expect all articles, photos, footage, etc to be respectful as well. If you're looking to write or submit trite mind-numbing, bottom of the barrel crap then you'll want to send it somewhere else. We aren't that kind of enterprise. We're here to uplift the mind, soul and senses with quality, thoughtful and respectful work. We don't want anything that is invasive or intrusive into a person's private life. Give the respect you would want. We are here to share, not to rip people down. Consider the Golden Rule when submitting. All things will be considered but not accepted.

That being said, we are not a goody too shoos site. We like hard, rough wild rides that lead to the unexpected and could only come out of the mind of a singularly focused and directed mind. Totally twisted, f'd up, absolutely wrong... but in all the right ways works here. That doesn't mean we don't love completely, sweet and charming love stories. We do! We also have a very soft spot for sensitive, touching animation and well-thought out docs.

Things to consider: Interviewing (video or written word) independent filmmakers, actors, cinematographers, etc while on the set or perhaps during a film festival. Photo shoot with film crew. Preferably fun and off-beat. If there is an indie film that you love and you happen to be a wild and crazy widget wonder, make one. It'll be fun! Basically, we're open to idea. If you're an aspiring writer, journalist, photo journalist, etc this could be up your alley.

If you would like to submit we'd love to see what you have to offer. We want to give our audience the inside scoop on our filmmakers or on the fabulous area where this or that film was shot, or the hilarious antidotes of how everything that could have gone wrong did... yet the film still came together. Filmmakers put their heart, soul, life and often every cent into their work. We want to hear, see and feel the passion.

Initially, there is no paid compensation. That may change in time as the site develops. We can compensate in other ways, such as viewship options, etc.

If interested, feel free to contact us at filmfestjunkie@ymail.com.

Monday, November 9, 2009

What if our US Rights Were Sold?

Independent Film DistributionFilmmaker: Would you be interested in my film? It did very well on the festival circuit and won a few awards. The U.S. rights were sold, but it sounds like you could block that out?

FilmFestJunkie: Yes! FilmFestJunkie would be interested. And yes! The platform can block countries, states, provinces, regions, cities, etc. No problem. We can help you make money directly off the rights you still own!

FilmFestJunkie is a flexible platform created to meet the various needs of independent filmmakers in reaching their global audience!



Is this a Non-Exclusive Deal?


FILMMAKER: I’d be delighted to join FilmFestJunkie. I presume this is a non-exclusive deal, and that we can withdraw specific territories if we sell them later on? (Or leave altogether, if necessary?)

FILMFESTJUNKIE: We'd be delighted to have you! You presume correctly. You can withdraw from specific territories if you sell them later on, or leave altogether, if necessary. We're here to help, not to hinder!

Can I Sell DVDs Through FilmFestJunkie?

Indie Films Online
Filmmaker: You mention DVD sales. So, filmmakers can sell DVDs via FilmFestJunkie?

FilmFestJunkie: FFJ can link to the film's website, if the filmmaker sells DVDs directly. This would allow the filmmaker to keep 100% of the DVD profits. FFJ is not in the business of selling dvds nor does the platform have any plans to move in that direction in the future.

How Would We Benefit From FilmFestJunkie?

Indie FilmsFilmmaker: We have a bank of films that we have access to - in terms of rights and access - how we would benefit from that and how would it help you.

FilmFestJunkie: You would benefit financially from the profits each time the film screened on FFJ. It's a 50/50 split before net. FilmFestJunkie would profit from our end of the split after expenses were covered. The filmmakers would profit before expenses.

The Old Distribution Model is Broken

Films Online
The old film distribution model broke a long time ago. There is nothing left to fix and it never worked very well for indies. It's time for a change and it's time to put independent filmmakers in charge and independent films on the map!

FilmFestJunkie is a platform created to empower independent filmmakers and global audiences by building a bridge between indies and their views.


Digital Rights Management (DRM)

Digital
FilmFestJunkie believes in Digital Rights Management (DRM), secured and protected rights for films.

Filmmakers deserve to control and own their films. It's time independent filmmakers start getting the respect and payment they deserve.

Most people say that they would not pirate if they had a choice. FilmFestJunkie hears them and is listening.

We're building an online viewing experience for independent film and global audiences!




Does FilmFestJunkie Have a Year or Premiere Requirement?

Film DistributorFilmmaker: Do you have any production year or premiere requirements? I'd like to send two films - one produced in 2006 and another in 2008. Neither are world premieres.

FilmFestJunkie: FFJ does not have a year or premiere requirement. Feel free to send both films. Films should premiere at festivals and screen with FFJ through participating festivals or after the film has completed its festival run.

What Costs Are Involved for Filmmakers?

DIY Film Distribution
Filmmaker:
What are the costs involved for us?

FilmFestJunkie: There are no direct costs for filmmakers. Just profit. It's a service we offer to filmmakers because we want to build a bridge between independent filmmakers and their global audiences. The platform, FFJ, makes money when films are screened. It keeps us hungry and reminds us to market!

There are other costs for filmmakers which should not be overlooked. Independent filmmakers are responsible for promoting and marketing their films (no matter then length or genre) - even Tarantino promotes the heck out of his films.

Film festivals are an excellent avenue for promoting indie films. There is little cost for this sort of promotion and a savvy filmmaker can get ample marketing and press from being on the festival circuit. This sort of publicity is invaluable and free!

A filmmaker who rests on their laurels before the marketing, advertising and promotion of their film is done will not reap the same rewards as a filmmaker who actively promotes and markets their film.

The money is there. Earn it! FilmFestJunkie has no sign-up fees, set-up fees, dues, or the like. We don't make money directly off filmmakers. We make money directly off the films... and we help you do the same! FFJ considers filmmakers to be partners and allies with common goals.

FilmFestJunkie is here to help filmmakers reach a global audience. The platform is not here to do it for the filmmaker. Don't let your film fall through the cracks. It's a new day and it is the filmmaker who can choose the destiny of their film!




Sunday, November 8, 2009

FilmFestJunkie Helps Filmmakers Make Money off Territorial Rights Owned

Self Distributing Film
Filmmaker: Would you be interested in my film? It did very well on the festival circuit and won a few awards. The U.S. rights were sold, but it sounds like you could block that out?

FilmFestJunkie: Yes, we would be interested. And, yes, we can block out countries. No problem. We can help you make money directly off the territorial rights you own!

Can FilmFestJunkie Block Territories?

Geo Blocking Films
FILMMAKER: I’d be delighted to join FilmFestJunkie with “*****”. I presume this is a non-exclusive deal, and that we can withdraw specific territories if we sell them later on? (Or leave altogether, if necessary?)

FFJ: We'd be delighted to have you! You presume correctly. You can withdraw from specific territories if y...ou sell them later on, or leave altogether, if necessary. We're here to help, not to hinder!



FilmFestJunkie is a Global Online Screening Room

Watch Movies OnlineFilmFestJunkie is not a distributor. FFJ is a global online screening room with a mission to build a bridge between independent filmmakers and their global audience. It is our goal to help empower and mobilize indie filmmakers through exposure and branding. We want to help, not hinder.

Does FilmFestJunkie Consider Older Films?

Independent Movies
Filmmaker: Can our film really participate as it was produced and screened in March 2007?

FilmFestJunkie: Yes. No problem. We're looking for good films that we can share with a global audience. The completion date is not relevant.

Share

Do Filmmakers Pay Monthly Fees to Participate?

Independent Filmmakers
Filmmaker: Do I have to pay a monthly fee for this service?

FilmFestJunkie: There are no dues, fees or set-up costs for participating filmmakers. Just profit deriving from the screening of your film.


Length, Origin, Genre, Format...

Festival Films Online
Filmmaker: What kind of films do you look for, length, origin, genre, etc...

FilmFestJunkie: All genres, all lengths, all origins! We look for good films that seem like a good fit. Each film is considered on its own merit with the audience in mind.

Filmmaker: Do you only focus on 35mm productions?

FilmFestJunkie: We are not sticklers for format. We're more interested in content.


Is FilmFestJunkie Exclusionary?

Watch Films Online
Filmmaker: I am interested. I'm in the middle of a deal with Amazon online and Netflix. Is your site exclusionary to these?

FilmFestJunkie: While FilmFestJunkie is not exclusionary, it is self-contained and will act as a one-stop shop for the indie audience but that does not prevent a filmmaker from screening online elsewhere. That being said we pay better for exclusive films and consider such films to be more valuable when consider which films to accept onto the website.

For consideration, send film(s) to:

FFJ
Attn: SCOTT
PO Box 1336
Gracie Station
NY, NY 10028




Films and Subtitles

Movies OnlineFILMMAKER: Will there be subtitles for, say, the Japanese?

FILMFESTJUNKIE: If you submit a film with subtitles, then we can upload it with subtitles. In fact, we encourage it as it will help broaden your audience on a global basis!

It is best to ensure FFJ has a clean copy without subtitles as well as a version with each subtitled language. This way the audience can watch a clean version in the film's original language.

It is also possible to submit films with subtitles in the original language for closed caption purposes.

The broader access you give, the broader audience potential you create.


Get Paid for Your Films!

Film Fest Junkie
Stop giving your films away for free. It's not necessary. Just because the industry can't figure out what to do with indies doesn't mean indies can't figure it out and make money in the process.

Yes, this includes docs especially with their ability to make money virally online via niche marketing.

Don't teach the market to devalue your films. The audience is used to paying. Why change a model that isn't broken.

Consider enticing your potential audience with a trailer, stills, reviews, behind the scenes footage, etc. These sorts of promotional tactics and informational marketing strategies can help to increase, education and intrigue your audience and can be given away for free while leading your audience toward purchasing your film whether it be in a DVD format or a direct download.

Share the milk but don't give away the cow...